Particularize Regarding Books Concerning the Spiritual in Art
| Title | : | Concerning the Spiritual in Art |
| Author | : | Wassily Kandinsky |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 80 pages |
| Published | : | June 1st 1977 by Dover Publications (first published 1912) |
| Categories | : | Art. Nonfiction. Philosophy. Art History |
Wassily Kandinsky
Paperback | Pages: 80 pages Rating: 3.81 | 74365 Users | 308 Reviews
Narration Supposing Books Concerning the Spiritual in Art
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.
This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
Itemize Books Toward Concerning the Spiritual in Art
| Original Title: | Über das Geistige in der Kunst |
| ISBN: | 0486234118 (ISBN13: 9780486234113) |
| Edition Language: | English |
Rating Regarding Books Concerning the Spiritual in Art
Ratings: 3.81 From 74365 Users | 308 ReviewsComment On Regarding Books Concerning the Spiritual in Art
All of Kandinkys opinions of art/the artist may be boiled down to the following:1. Art, namely painting and music are interrelated, children of a particular age, and created by the mysterious and secret way by the artist (53). There is no must in art, because art is free(32).2. The more abstract art tends to become, the more reflective and representative of the inner life or spiritual nature of humanity because as naturalism/realism is shed (not necessarily form since form in Cubism isTheory is the lamp which sheds light on the petrified ideas of yesterday and of the more distant past. The first time I saw a painting by Kandinsky was in the Guggenheim Museum. Back then, I really didnt have much appreciation for visual art, least of all abstract paintings. Nevertheless, I remember being intrigued, and finally fascinated by his work. The way he was able to select forms reminiscent of, but not dependent on, real-life objects delighted my eye. Later, I saw a special exhibition
I was not aware of the intrinsic relation between form and color. Plus, I found completely stimulating (just by reading) his description of contrasting colors, their antagonisms and synthesis. Apparently while yellow warmly moves, blue is coldly inert, the former expressing a bodily experience, the latter spiritual. An the "theory" goes on. I would never thought of green as stationary, yet he made me wonder...I won't get into his argument about the artist as king. I will just retain the
I hit my artistic peak with my rendering of my uncles Conan the Barbarian upper arm tattoo (complete with blood splatter) when I was eight. Truly appreciating art always seemed like the province of finer souls. A secret protected on par with gypsy divination and Shamrock shakes. I guess I always thought art was beyond words. Kandinsky, in his brief book, proves otherwise. Incredibly lucid and articulate, Kandinsky leads the reader to move past an intellectual appreciation of art:The spectator is
this is basically "we paint in a society", the treatise.he's more condescending than I would imagine, his spiritualism isn't, well, material enough, and it all smacks of "bourgeois nonsense." honestly, even with the interesting discussion of the "spiritual value" of the different basic colors and how they interact this is probably worth three stars. what saves it is just how much this really mattered to him -- looking at his work you can really tell that he thought everything he wrote down. as
To me, Kandinsky is the Kandinsky from the Bauhaus period, when his paintings were dominated by abstract compositions comprising lines, circles, triangles, and bold colours. Though Concerning the Spiritual in Art was written some ten years prior, the book may as well be about the explorations in artworks such as these. Part I of the book has one memorable idea: Kandinsky depicts the life of the spirit as a triangle, forever moving gently upwards, or rather, forever moved upwards by artiststhe
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