Mention Books Conducive To Generation X: Tales for an Accelerated Culture
| Original Title: | Generation X: Tales for an Accelerated Culture |
| ISBN: | 0349108390 (ISBN13: 9780349108391) |
| Edition Language: | English |
| Setting: | Coachella Valley(United States) |
Douglas Coupland
Paperback | Pages: 211 pages Rating: 3.73 | 26232 Users | 1076 Reviews
Particularize Based On Books Generation X: Tales for an Accelerated Culture
| Title | : | Generation X: Tales for an Accelerated Culture |
| Author | : | Douglas Coupland |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 211 pages |
| Published | : | 1996 by Abacus (first published 1991) |
| Categories | : | Fiction. Contemporary. Cultural. Canada. Novels |
Representaion To Books Generation X: Tales for an Accelerated Culture
Andy, Dag and Claire have been handed a society priced beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X.Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry.
Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...
Rating Based On Books Generation X: Tales for an Accelerated Culture
Ratings: 3.73 From 26232 Users | 1076 ReviewsWrite-Up Based On Books Generation X: Tales for an Accelerated Culture
This is the story of a handful of Generation X-ers, defined as people born between 1960 and 1980. In the book three late-twenty someones - Andy, Claire, and Dag - separately give up their upwardly mobile jobs and move to Palm Springs, California. There they take up residence in modest digs, take low-paying service jobs, and attempt to live more or less minimalist lives. They entertain themselves by telling stories (made up or real), drinking, snacking, having picnics, and - for the most part -Overall I liked the book, but I didn't develop any fondness for the primary charcters. As for these carbon-based complainers, I thought they were pretensious, cynical, and were drowinig in early anomie. Gen X is over flowing with Irony which makes it both enjoyable and gives the impression that the author is trying to hard too write something Hip or Cool.The early 20's to mid 30's Are the target population. The 3 main characters are directionless and are trying to escape evolving technology and
With some things you know exactly what they're going to be like before you experience them and you hope you're proved wrong. I saw "A Mighty Wind" recently and shouldn't have bothered - good film well made and all, but utterly predictable. As was Generation X. DC is a snappy writer, he's Tom Wolfe's kid brother, and this book should have been a collection of smart essays like Kandy Kolored Tangerine Streamlined Baby etc. It doesn't really leave the ground as a story with characters. And also,
If I had read this book when it was published, I'd probably have liked it more. Clearly I don't mean that literally, since I was 7 years old when it was published. I just mean that it was obviously a very zeitegisty book at that time, and a lot of its details seem irrelevant and dated now, and if I'd been the age I am now in the early 1990s, I would have got it and appreciated it rather than getting it but thinking, so what. It was perhaps a stupid place to start with Coupland, but I haven't
This started very promising, but soon became bogged down in hollow, absurd stories. Chronologically I belong to this Generation X, and it is true that at one time (mid 80s)this generation seemed "lost", due to the economic crisis, postmodernism and especially the post-1968 syndrome. But apparently eventually all (?) worked out. Moreover, we in the West are now facing very different problems (how to stay afloat in a globalized world, the growing social inequalities, the integration of minorities,
I like the yuppie vocabulary in the footnotes, Tobias' rant, the Japanese story when Rilke is quoted...I like the insightfulness of it all.I dislike the 'feeling of filling' (sorry): you can sense that this book was asked to be written by a third party, that maybe it had to have a particular amount of pages, that maybe it was written too fast and didn't have the proper editing (not to mention that it would work much better as a collection of essays than fiction). I think it would be a better
Does the term "overload" make or break the novel? Lets just say that in its o-so 80's rampantly materialistic take on self-imposed post mid-twenty crisis survivors, the book may want to break itself! This is the equivalent of what "Reality Bites" was to film: zeitgeisty, important, conspicuous.It is a fun lexicon like novel that reads like The Decameron or the Canterbury Tales in modern day. The protagonists (don't know it but actually) live in an age where nothing is happening and so the
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